BWW Interviews: Actor Rich Hebert Talks Much Anticipated LA Billy Elliot Premiere

Actor/singer Rich Hebert will open tonight, Thursday, April 12, at the Pantages Theatre in Hollywood for Broadway LA in the second national tour and the Los Angeles premiere of Billy Elliot, playing Billy's dad. Other credits on stage include in Vegas: We Will Rock You. Broadway/Tours: The Life, Sunset Boulevard, Les Misérables, Cats, Saturday Night Fever, and Rock and Roll the First 5000 Years. Other: Captains Courageous, Elaborate Lives, Annie. TV: Brotherhood, Law and Order SVU, NYPD Blue, The Sopranos, Deadline, Line of Fire, The Oldest Rookie, 21 Jump Street, The Young and the Restless, Loving. In our talk, he elaborates on the changes in Billy Elliot onstage since the first national tour and his challenges in playing this role and others.

How long have you been playing Billy's dad?

About a year and a half. We started in Durham, North Carolina. There are two aspects of this tour. This is the second. At one point we closed down for a while when we were in San Francisco last summer. We got new producers and they started rehearsing us again about a month later in New York. We basically brought together from the first national tour the people that wanted to come back or were asked to come back and merged with the newer actors who were cast. We resumed November 1 in St. Louis. There was a rehearsal down time period of a couple of months.

I understand that the latest production is much scaled down. Is that true?

It is scaled down, and ultimately it is to the benefit of the show. They took out automation, some lights; they took out the dancing dresses, that were these exaggerated giant things in the first national tour and on Broadway. When director Stephen Daldry, who also directed the 2000 film, first saw this scaled down production, he said "This is the way it was supposed to be. This is the best production of the show I've seen." You see the community on stage because we're moving things around ourselves. It creates much more of a community effect, which is what the show is really all about. It's still the same amount of people. We have four Billys right now and they alternate every night.

It's challenging emotionally more than anything else. I played Valjean (Les Miz) for a couple of years in the nationals and that was physically, vocally and emotionally challenging. This is as emotionally challenging but not as physically or vocally challenging. I only sing one song. It's an arc and a growth. Responsibility, growth, arc, because he really comes from one place. It's not even that he's prejudiced or homophobic or anyhting like that; he doesn't know what's going on. He's trying to make do. He's a miner who's uneducated to a certain degree about a lot of things. He comes from a small town and what his dad did, that's what his oldest son does. Basically, it's providing. And that's being taken away from him. His wife died and he really doesn't know how to raise this second kid who's all over the place. He tries to send him to boxing to toughen him up and give him something to do. Billy decides to be a ballet dancer. It's all off the charts to him (his father), who says "You're not going to do that. It's the opposite of what I'm trying to do for you." And then there's the grandmother who's almost in Alzheimer's land; she's got a bit of dementia going on. So, there's no book for him; he's trying to do it all on his own.


Is this one of the hardest roles you've played?

Had I not become a father myself six years ago, I don't think I would understand the amount of commitment that is involved in trying to raise a child. The father in the play is the local head of the union that's on strike and he decides to cross the picket line, so that he can get some money to send his boy to a ballet audition at the Royal Academy. I stopped acting for about four years, I thought it wasn't steady enough money, although I've been an actor for 30 years. I tried to do other things. I sold cars, I taught, I worked at a bank, I taught college, so I made compromises in my life...and he has to do that. Having gone through it, I totally understand.

What remains your favorite role to date?

I have to say Valjean is my favorite. I've worked with kids a lot; I played Daddy Warbucks (Annie) a couple of times. I did it at Papermill in Jersey with Sarah Hyland who's now on Modern Family. I love working with kids. I did Captains Courageous at the Manhattan Theatre Club. When you work with kids, you always learn. It takes so much imagination.

Don Grigware is an Ovation nominated actor and writer whose contributions to theatre through the years have included 6 years as theatre editor of NoHoLA, a contributor to LA Stage magazine and currently on his own website: www.grigwaretalkstheatre.com

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