BWW Reviews: Colony Brings Religion into the Spotlight with THE SAVANNAH DISPUTATION

The Savannah Disputation/by EVan Smith/directed by Cameron Watson/Colony Theatre/through July 8

For religious fanatics & theologians The Savannah Disputation should hold plenty of interest, as EVan Smith has written a smart exploration of Catholic versus Fundamentalist beliefs. Do you really know your faith inside out? Can you interpret the Bible with intelligence, keeping an open mind? Or do you accept tenets blindly, permitting them to govern everything you say and do? For those less religiously inclined or whose religion does not include Jesus, think twice before attending this play. But if you're into drama purely for its entertainment value, there is no dispute as to Savannah's remarkable four person cast, sharp direction by Cameron Watson and offbeat piquant humor.   

As to dramatic fireworks, there's an intensely explosive argument midway wherein all four, in a nutshell, attempt to make sense out of the contradictions of Catholicism and the bible - any version. The moral: it just isn't possible, as no religion is without contradictions ... and why let it ruin your relationships in the process? Believe what you believe, if it moves you - but make sure you know what it means in detail, particularly if you expect to convert someone else, and be tolerant at all costs! Through all of this discussion there's an infectious sense of humor. Two examples: Melissa's cell phone rings to the tune of "Mission Impossible" and when Father Murphy is accidentally called Father McKenzie, he cleverly interjects "He's the priest in "Eleanor Rigby"!

The ensemble is delightful, under Watson's clean, well-paced direction. Byrd brings great humanity to the feisty, cranky and bewildered Mary, as does Reed to the simpler, soft-spoken Margaret. Mozo adds great vulnerability and enthusiasm to Melissa, who, in spite of her weaknesses, really does care. Clark is wonderful as Father Murphy, clinging to his faith and making his friends do the same in spite of their doubts and insecurities. Stephen Gifford's set design of the sisters' old Catholic homestead is lived-in perfect.

Oh, did I mention, that despite my Catholic upbringing, I left the Church years ago? It no longer suits me. A word of wisdom to converts to any religion: make sure you know and want what you're getting yourself into! The Savannah Disputation contains a raft of religious issues, but hopefully, you will still laugh and find your own sense of clear sailing within the fog. Believe, but don't be afraid to march to the tune of your own drummer!

For more, visit http://www.colonytheatre.org/

Don Grigware is an Ovation nominated actor and writer whose contributions to theatre through the years have included 6 years as theatre editor of NoHoLA, a contributor to LA Stage magazine and currently on his own website: www.grigwaretalkstheatre.com

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