Lewis Black Comes to the Overture Center in October
by Stephi Wild
- Apr 16, 2024
Two-time Grammy Award winning Comedian Lewis Black releases additional dates for his GOODBYE YELLER BRICK ROAD, THE FINAL TOUR that will include shows throughout North America and Europe—including a stop at Overture Center on Saturday, Oct. 19 at 8 p.m. in Capitol Theater.
Lewis Black Comes to DPAC in October
by Stephi Wild
- Apr 16, 2024
After 35+ years of touring, two-time Grammy Award winning comedian Lewis Black is parking his tour bus for good after this year, marking the end of his legendary world touring career. But, before he ends this final tour, he’s added more dates to his 2024 roster, including a show at DPAC on Friday, October 25, 2024.
Wake Up With BroadwayWorld April 11, 2024
by
- Apr 11, 2024
Rise and shine, BroadwayWorld! It is April 11, 2024 and it's time to catch up on all of the theatrical happenings you may have missed in the last 24 hours.
Industry Pro Newsletter: New Study Looks to the Preparedness of Arts Orgs to Face Future Challenges
by Alex Freeman
- Apr 8, 2024
In a sign of an industry on the rebound, Center Theatre Group in Los Angeles is getting ready to announce a return of programming at the Mark Taper Forum, where production was paused last year while the organization went through a budget crunch. Additionally, following the casting of a Black actress in the role of Juliet, an upcoming West End production of Romeo and Juliet from the Jamie Lloyd Company started dealing with racist backlash online - we’ll show you how the company responded.
Industry Pro Newsletter: Grants and Government Spending Impact on Arts Budgets
by Alex Freeman
- Apr 1, 2024
This week, stories abound about the impact funding can have on the arts - from the UK, an editorial about how the collapse of funding for the creative industry was predictable. In the US, we have stories of large gifts making a huge impact - no-cost rentals at 59E59 - as well as changes to the way Florida is apportioning their arts budget.
American Blues Theater Names Ken Urban Recipient of the 2024 Blue Ink Award
by Stephi Wild
- Mar 27, 2024
American Blues Theater has announced the recipient of the 2024 Blue Ink Award is Ken Urban for his play The Conquered. As part of the award, Urban receives a $3,000 cash prize, a staged reading at American Blues Theater, and the opportunity to further develop his script with American Blues Theater.
Industry Pro Newsletter: Subscription Study in Pittsburgh
by Alex Freeman
- Mar 25, 2024
The storm of openings has begun on Broadway, as we prepare for what will be an even busier April leading into the conclusion of the 2023-2024 Broadway season. Amidst that storm, great work continues off-Broadway, as Cara Joy David reminds us when she pays a visit to Dead Outlaw.
Review: Claybourne Elder at SLAC is a Distinctive Experience
by Tyler Hinton
- Mar 22, 2024
CLAYBOURNE ELDER: I WANT TO BE BAD is a one-man concert and comedy show from the Utah native and Broadway star that entertains, draws you in, and ultimately pulls at the heartstrings. It runs for five shows through Sunday, March 24 at Salt Lake Acting Company as part of the theatre’s Making Space for Artists program.
Exclusive: Watch WAITRESS' Caitlin Houlahan on Tonight's LAW & ORDER: SVU
by Michael Major
- Mar 21, 2024
Waitress star Caitlin Houlahan is appearing on tonight's episode of Law & Order: SVU. In the new episode, Houlahan plays Anne Holmes, a witness to a brutal attack on a man in the street. But when cops come to her door asking for help, she’s afraid to let them in. Watch an exclusive video clip, also featuring Mariska Hargitay and Ice T.
Wake Up With BroadwayWorld March 20, 2024
by
- Mar 20, 2024
Rise and shine, BroadwayWorld! It is March 20, 2024 and it's time to catch up on all of the theatrical happenings you may have missed in the last 24 hours.
Industry Pro Newsletter: Public Declines to Recognize Union
by Alex Freeman
- Mar 18, 2024
As the unionization wave continues to move through theatrical workers across the country, two developments last week highlighted the movement: the Public Theatre declined to voluntarily recognize the unionization effort of their workers, and workers at the Goodman Theatre sought their own union affiliation.
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